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moongothic · 4 months ago

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You know when I originally suggested that maybe Dragon is the one who gave Crocodile his scar and/or took his left hand --if only because [Dragon not recognizing the big scary man with a baby when he was supposed to go see his wife, assuming the worst and acting accordingly] would make for an A-Class tragedy and great fucking drama (something which I would expect to see in One Piece)-- I wasn't fully convinced with the idea, I just considdered it just another option on What Could Have Happened between those two to get us where we are ...But the more I think about it, the more I've started to kind of believe it. And for two key reasons, first being kind of everything we know about Whitebeard, and the second being the basic logistics around the suggested scenario to begin with

By which I mean; if Dragon had indeed gone to see his wife so he could deliver their newborn baby to Garp, but instead came face-to-face with a man he had never seen before but who just happened to have the exact same and very specific facial scar as his wife and/or the same god damn hook... Like I can't say he SHOULD be able to recognize Crocodile instantly, but also, surely either of those features would make him stop for a moment think and/or talk before he'd jump into action, let alone if the man had both the scar and the hook. Of course, there is an argument to be made that maybe Crocodile had a smaller hook originally that no longer fit on his wrist after getting jacked so maybe Crocodile just wasn't wearing any hook at all, and a missing limb isn't an unusual disability on its own, at least not enough to faze Dragon. And who knows, maybe the two were supposed to meet on a dark and stormy night, in which case between the low light and the rain it could've been hard for Dragon to see any scars on Crocodile's face from a distance. These are both reasonable arguments, absolutely. But, as I have mentioned a few times before, sometimes the path of least resistance might be the most likely option as far as story speculation goes. If Crocodile had both his hands and no scar on his face, then Dragon wouldn't have had any way to immidiately and instantly recognize Croc (aside from his fashion sense) as he would've been missing (what we would now considder) his most distinquishing features. Which would it much easier for Dragon to jump into action and attack the strange man without a second thought.

And then there's Whitebeard. Whitebeard, who was kind of famous for stomping rookie pirates only to invite them to join his crew as his "sons", but who also had a weird thing about not having women in his crew (his nurses aside), because he believed "women do not belong on a battlefield". For one, that actually kind of supports the "Crocodile is openly trans" theory because, again, how the fuck would Croc have been pre-t AND stealth as a Wardlord getting his shit kicked in by Whitebeard? Like it's not impossible, as we have discussed many times before (and that is not the point of this post!!), but once again it would be easier to just assume Crocodile was still living as a woman at this point in time. And indeed, that could answer the question of "why would Whitebeard not invite Crocodile into his crew to be one of his children like Ace and everyone else?". If Croc was still living and presenting as a woman at this point, Whitebeard would not have even wanted him in his crew. (Sidenote but since Whitebeard seemed to have no issues with Jinbei hanging around the Moby Dick despite being a Warlord I don't think Crocodile's Shichibukai status should've had any impact on WB's ability to invite him to his crew. To be fair though, Jinbei did join the Shichibukai much later so it is possible WB could've just changed his position on the subject over the years) And that leads to this question; if Whitebeard has that kind of views on women, then would he ever go as far as to severely injure and scar (someone he viewed as) a woman right on their face? With an attack that could have very easily chopped Crocodile's entire head in half like a god damn burger bun if he weren't careful? Do you think Whitebeard would have chopped Crocodile's left hand off and left him permanently disabled if he viewed him as a woman who shouldn't be a fighter to begin with? Yes, to be fair, we do not know the circumstances under which Crocodile challenged Whitebeard into a fight and what kind of a pirate Crocodile had been up until that point, what his reputation had been and if he had done anything in particular to invite Whitebeard's wrath (much like Kid and Barto with Shanks). Like for all we know he could've done something truly heinous and fucked up enough that Whitebeard thought teaching him a lesson was justified.

Just, looking at all of these notes together, I can't help but to feel that it's actually very plausible Dragon could be the one responsible for one of Crocodile's injuries if not both (if Crocodad Real).

#Moon posting #OP Meta #Sir Crocodile #Crocodad #Dragodile #Also yeah if Dragon did Do That to Croc then that would explain why they PRESUMABLY haven't seen nor talked to each other in like 19 years #Like how would you feel if you found out you almost killed your beloved and left him permanently disabled. How would you ever even apologiz #How would you ever go about begging for forgiveness from someone else when you'd probably never be able to forgive YOURSELF to begin with #Like yes it would have been a tragic accident but also like. That's your significant other. Or at least WAS.#You know me I'm a sucker for Tragic (and Extremely Divorced) Dragodile #Sitenote but if Crocodile hadn't even figured out his Gender Shit yet when fighting Whitebeard then like #Whitebeard beating his ass but refusing to do anything drastic because he didn't want to "hurt a woman'' would like #Like that might not crack an egg but god damn would that fucking feel BAD (in a way he didn't quite understand) and be humiliating #Also yes it is possible WB would've given Croc at least one of his injuries. Absolutely viable. I just don't think he did BOTH #Also like if you subscribe to the Croc is Xebec's son theory then that alone would give Croc enough beef with WB to explain Summit War #It's not a requirement for WB to have taken Croc's hand for Croc to have a vendetta against WB (with that theory in mind at least)

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papersnakepress · 5 months ago

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I had a message the other day asking (among other things) what kind of tools and equipment I use in making books, and as it's something I like to go into detail on, I realized I couldn't fit everything I had to say in a message so it's getting its own post. With photos!

Disclaimer that I'm not a professional bookbinder, I'm entirely self-taught and probably have habits and practices that would drive a pro nuts. I'm no authority, but these are the things that have worked for me, and maybe you can adapt them to work for you too.

This post will not cover: storage options, materials like board and glue, or equipment specific to one narrower aspect of the hobby like embossing or gilding. It is also not a tutorial on how to make a book, though I am covering things in more-or-less the order I use them in during the book-making process.

This post will cover: What I've found useful, what I've regretted buying, and some things you can co-opt from other, more common hobbies. A lot of it you may already have in your house. Some of it is for beginners, some is nicer equipment you might want as you get further into making books. They are not separated, it's just a list and some description.

Keep reading below the cut; this is gonna be a very long one and there are a lot of photos of everything.

If you want to make books you will need access to a printer. I'm not going to go into detail on this part and I didn't take a photo of my HP (not the best brand, but that's a long discussion in and of itself). Once you've got your pages printed and it's time to fold it into signatures, it helps to have a folding tool like these:

Folding tools can be anything as long as they're smooth and flat. The one on the left here is an actual bone folder from an art supply shop, but the center one is a plastic leatherworking tool that I got at Hobby Lobby, and the one on the right is an agate burnisher that I got from Amazon. None of these cost more than $10, and you can also use the edge of a pen (as long as it has no rubber grip or cap/clip) or the back of a spoon. Or your fingers, but the tools make it faster and the folds are more precise. I once worked a job where I had to fold maps, and all my coworkers were wondering how I did them so much faster and why mine were flatter than everyone else's, and it was because I'd grabbed a sharpie and started using the back end like a bone folder.

Once it's folded, you'll need to poke holes for sewing. I use one of these:

Left is, again, an actual bookbinding awl from an art supply store, while the center one is a paper quilling tool and the right one is a beadwork awl, both of which came from a big chain craft store. The bead one is my favorite; it's a good size and very stable. The quilling thing has too long and thin of a blade and it's wobbly, and I don't like the tapering on the bookbinding awl. It tends to make the holes in the middle page too big, and the outer ones too small. Again, these were cheap, about $10 each, but you can also use a sewing needle stuck in a cork, or a thumbtack or pushpin. If it's pointy and rigid, it'll work.

This isn't a requirement by any means, but I've found I like having a punching cradle for the hole-poking step. I got this 3d printed one from a fellow bookbinder, who was designing their own and made this one as a prototype. There are a lot of tutorials on how to make a punching cradle, or you can buy them online from several different vendors. They don's all look like this, and you can make them from wood or cardboard (though those don't usually have guide holes). If you're just starting out or this doesn't appeal, you can just use a paper template like the one on the far right. The cradle helps get the holes lined up and evenly spaced, and I've never liked this step so anything that makes it faster and less fussy is a win. If you use this kind, check that your hole-poking tool fits in the guide holes--the binding awl pictured above doesn't, but the other two do.

We've made holes, so let's stitch them up. These are just regular sewing needles and beeswax, to make your thread less prone to tangling. You can get both of them in any store that has a sewing department. There are dedicated bookbinding needles, like curved needles, and some binders like them, but I've never gotten the hang of the curved ones and they aren't necessary, especially when you're just starting out. If it fits through the holes you made, it will work.

Once it's sewn, you probably want to squish your new text block so it's flat. I've got a laying press that I bought a couple of years ago when I was first getting started. It was marketed as a book and flower press, and it's honestly not the best. I would probably not have bought it if I had known that it wasn't essential to the process, and I mainly use it now when I'm squishing a text block and still want to use my work space, because once it's tight I can move it somewhere else. You can really use almost anything for squishing as long as it's heavy and flat and rigid on one side, like the stack of books in the right-hand photo. Textbooks, encyclopedias, art and photo books, and comic book omnibuses are all great. I've seen people use all kinds of things, like paper-wrapped bricks and doorstops, and there are tutorials out there to make your own press out of cutting boards if you do want one.

If you like your books to have smooth, flat page edges you're going to have to trim them. This is a book plow from Affordable Binding Equipment, and it was the first piece of actual expensive equipment that I bought. Not all plows look like this; I think the design is unique to ABE, but I've never used the traditional kind. In the interest of full disclosure, you can also trim edges with a sharpened chisel, which is much cheaper and can be bought at any hardware store, and some binders love this method. I do not love this method and have had zero regrets about caving and getting the plow. Very easy to use but does require some grip strength. Not pictured: the setup for sharpening the blade, which isn't hard but requires a bit of space and a small sheet of plate glass that you have to source yourself. Even with that, I still prefer it to the chisel. That said, this is not an essential step and you can leave your books with a "sawtooth" or deckled edge. Most of my early books have them, and some people just like them better than the flat ones and never learn to trim them. As another side note, some tutorials will say that you can trim your edges flat with a knife. You can't. Maybe on a pamphlet you can, but if it's more than 10 or 20 pages you just can't. It will look terrible.

If you're going to use a plow, you've got to have the right kind of press. The one I talked about further up the thread is the wrong kind (full disclosure: I did use it with that press turned on its side, before I bought this one. But it's harder, more time-consuming, less comfortable, and less safe. Don't be like me). So here's a photo of my finishing press (also from Affordable Binding Equipment). I bought it so I could make backed books, but I use it for trimming too. The top part here has a narrow tapered section for backing, but if you flip it over it's totally flat, which is what you need for trimming. Not pictured: the stand that it came with for backing, or the c-clamps that I use to attach it to the desk for trimming. Again, though--this isn't a requirement for bookbinding. This is a later stage that's entirely optional. On the subject of backing, though:

You don't need special equipment to round the spines of your books, but you do for backing. Left image is the set of backing boards I got from, once again, Affordable Binding Equipment, and on the right is a backing hammer from Hollander's. Neither of these are essential. Even if you get the boards (which have to be used in a press with a tapered edge, like the one directly above) you can actually use a regular hammer as long as the front part has no scratches or gouges. This one is a backing hammer, the primary difference being that it has a wider, convex head than a regular household hammer, to make the kind of glancing blows needed for backing a little easier. Honestly, I'm still learning how to use these and I'm not very good with them yet. Comes of being self-taught, probably. I don't think youtube is the best vehicle for learning this part, but it's what I have and I'm making do. Not every book is going to benefit from backing, either; it's primarily for helping mitigate spine swell.

Okay, time for my favorite repurposed equipment hack.

It's bookends. Regular bookends that I've had for ages and that probably came from Ross or some other place that doesn't even sell craft supplies.

Want to keep the text block upright while you glue it? Bookends. Want to sew some custom end bands but your text block keeps falling over? Bookends. They won't provide pressure for squishing, but if you just need to hold something upright while you work on it, bookends are the answer. They hold up books, it's right there in the name. Having said that, you want some with a little weight to them, like these agate slices, so they won't slide around. And you want something with a smooth finished edge like these, so they won't scratch up your text block or leave dents. I have other sets but these are the only ones I use for this purpose, and they're better for it than anything else I've got.

Moving on from making the text block, let's look at what I use to make covers.

It's appeared in the background of most of the other photos, but here's a photo of just the desk surface covered in cutting mats. I really recommend a mat to protect the surface of your furniture and keep your knives from going immediately dull. I've got a big one that covers almost the full surface, and a small one for when I want to be more mobile. I started with just the small one and it was good until I started working with larger sheets of paper. The big one was bought largely for convenience but I have no regrets about it. They're self-healing, non-slip, and you can get them in the sewing section of any big craft store.

I'll be honest, I am not big on knives. I've got a regular box cutter for trimming board, and a razor knife for paper and cloth, and that's it. There are a lot of kinds and really all you need is one sharp blade for board. Paper and cloth can be cut with scissors if you want, though I find I get more consistently straight lines with the knives. Also pictured: Metal rulers and a T-square. You want a metal ruler for this. Plastic will flex and wood won't lay flat. Ideally you want one without a cork backing (my 18" one has this problem) and with the tick marks etched in rather than printed (my 12" one has this problem). For larger sheets of paper and cloth, the 18" one is great, but you can get by with the smaller one. The T-square is for making right angles; mine is plastic and only 12", and I really wish I had a longer one that was metal. These are drafting tools and you'll find them in the section of the craft store that has easels and sketch pads and they're usually pretty cheap.

This is an adjustable compass. You can probably get these at craft stores but I got mine on Amazon. It's for measuring hinge gaps and the width of spines, both essential for making sure your cover fits your text block and your hinges open the way they should. Both of those are incredibly frustrating situations, and this thing makes it so much easier to avoid them.

Things to spread glue with! Any old paintbrush will do, though I like to have a few different sizes and textures on hand to choose from. I like the big one for cover boards and casing in, the mid-size ones for doing turn-ins, and the little fellow for details and touch-ups. I don't care for foam brushes because I find them hard to clean when glue is involved, but if you like you can use those. The metal thing on the left is a micro-spatula, and I did have to special order it from an art supply place but it was cheap and it's very helpful to have on hand for when the brushes are too thick, for doing turn-ins on rounded spines, and for separating pages if you decide to learn edge foiling. Not essential, but recommended.

One thing I neglected to take a photo of is my crepe eraser. Despite the best intentions, no matter how careful you are, you will at some point get glue where you don't want it, where it will be visible on the finished book. This is where the crepe eraser comes in; you can use it to remove dried glue from cloth or (to a lesser extent) paper. Very annoyingly, none of the craft or art supply places I went to had even heard of these and I had to get mine from Amazon. It was cheap (under $10) and I strongly recommend getting one.

Once your cover is made, you have some options. You can leave it blank, hand-letter or draw an image, stamp it with ink or embossing powder, use a stencil, or do what I usually do these days and make a cover graphic from HTV. I've got a cricut for this (though they're not the only kind of cutting machine; it pays to research other brands) and a mini heat press (I want a bigger one, but I got this one cheap because the box is messed up). A lot of libraries have cricuts you can use, and you can use a regular iron to apply the HTV. Getting it to stick is a bit tricky, but that's true no matter which tools you use. Not pictured: a cutting mat, different than the kind shown above, necessary with most materials you can cut (mine came with one, they're about $20 at most craft stores, and they're lightly sticky to keep your materials in place while it's being cut). I don't know if other brands require them, but cricut does unless you're using their Smart Materials (I have never used these). If your library has a cutting machine, they will also have the appropriate cutting mats. Also not pictured: weeding tools. Weeding is when you remove the bits of HTV that you don't want in the final image, usually the spaces between letters and such. The negative space, if you want to get artsy. The special tools cricut sells aren't necessary, you can use an awl or needle and the dull edge of your knife blade, but I have a set of theirs and I like mine.

I didn't take a photo of it, but sometimes I use embossing inks and powder to make cover designs and text. You only need a heat gun for embossing powder, it takes up way less space than the cricut does, and it's cheaper. I got mine free from a family member so I don't know what it cost initially, but cutting machines are a really big expense; the cricut is my third most expensive piece of equipment, after the finishing press and the plow.

Good god I think that's everything. It sounds intimidating, I know. And it sounds like it takes up tons of space in your home, and to be honest it can, but it doesn't have to. The first dozen or so books I made, I made completely to my satisfaction with tools and materials that fit in one 12x16" moving box. If you love the hobby and can make the space, the bulkier items might be worth it down the line, but especially when you're first getting started it's smart to keep things low-cost and compact. Most of the basics are simple and your fellow bookbinders are delighted to share their shortcuts and substitutions if you ask.

The end! I hope it was helpful, @cardassianexpats! I did warn you it would be wordy, lol.

#bookbinding #fanbinding #long post #like ridiculously long post omg #my own verbosity will be my downfall #if anything is unclear please tell me #i can't always tell when i'm over-explaining #or when i think i've given enough info but my audience thinks i haven't #snek makes books #but sometimes she just talks about them

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formosusiniquis · 5 months ago

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🪱 Wiggle Wednesday🪱

Thank you @paperbackribs who tagged me last week, I saw it while I was in class and immediately forgot until I saw people posting their things today. But I'm always excited to share my current brainworms

This is a scene from a fic that I pick at every now and then, so it's basically always on the brain. It started as something about Lucas and Steve and trying to explain away the slight anachronism of Steve (popular and rich) being in Nikes before Jordan made them cool (thank you Air) and it has turned into something much more about Lucas and also his Mom relating through a shared love of basketball and Steve is also there.

It’s a Friday night after the end of the world, and strangely Lucas is at a basketball game.

Or maybe it’s only strange because it’s so normal.

A Friday night in a small town and there isn’t much to do except support the home team. Only Mom won’t watch football, she calls it barbaric, so she reserves all her team spirit for November when basketball season starts. Lucas’ skin itches a little under the Hawkins Tigers shirt he’s wearing, as he’s pretending to be normal when a couple weeks ago he learned monsters were real. What can he do though? Mrs. Byers has Will on house arrest, Mike is still mourning Eleven, and Dustin hasn’t been allowed out since Will’s Lazarus act.

Maybe he’s being too sensitive. Steve is here, who Lucas mostly knows from Mike complaining about being Nancy’s stupid boyfriend. Steve is playing like everything is fine, even though Lucas knows Steve knows. He heard whispering about it with Nancy when he went to the bathroom the last time he was at Mike’s. But Steve is smiling as he paces down the court. Miles better than the other players around him, when Steve has the ball Lucas feels like he does when he’s watching a real basketball game on the couch with his Mom.

If Steve can act like things are normal. If he can sink three pointer after rebound after assist, maybe it’s okay that Lucas is wearing his Tiger green. He floats down the court and everyone cheers. But no one cheers right. When #21 Hagan gets a rebound off of Seymour’s best player, a girl’s voice screams so loud it makes his throat hurt. No one cheers that way for Steve. It’s just excitement for the game, not for him and the way he is playing.

When the game ends, Hawkins 73: Seymour 42, and the crowd storms the court Lucas stands by his Mom in the bleachers. She hates feeling the push of the crowd against her and as he gets older, and people’s hands get rougher, he’s starting to understand. He’s too old to be caught standing by his Mom though. After everything, he knows better than to move too far away from her; going to the game with your Mom is one thing, being the kid getting called out over the intercom because she can’t find you would be life ruining.

Lucas watches the thinning crowd while he waits. Parents and girlfriends crowding their sweaty players. He doesn’t want to get caught looking at any of those boys for too long now that they aren’t playing. He isn’t sure why. So he keeps looking for something familiar.

Steve is standing beside a short, dark haired man who’s got what his father calls a beer gut. He doesn’t look anything like Steve, but he’s also the only adult anywhere near him. He’s the only person at all that’s really near Steve. They’re talking excitedly about something. He claps Steve on the back and whatever he says next has Steve looking down toward the floor.

“Is that Steve’s dad?” he asks his mom before thinking about why that might be a weird question to ask her.

“Who?” The way she says it makes him sure she hadn’t actually heard the question. She’d caught a name, when he interrupted her conversation with the lady next to them, but not enough to answer. It’s a free chance to drop the issue. To say sorry, never mind, and go back to watching people move on the floor below them.

“That guy,” she slaps his hand down as he goes to point. “The guy next to Steve, number 8, is that his dad?”

“How do you know him?” The question, instead of an answer, startles him enough that he looks at her instead of Steve. Stern, he knows he doesn’t want to lie to her, but he also isn’t sure how to say that this random high school boy saved two of his best friends’ older siblings' lives.

“He’s Nancy’s boyfriend. Mike talks about him.”

If he’d just waited. He would have gotten his question answered without asking Mom. They both watch as that man says one more thing to Steve, shakes his hand, and walks out of the gym. “I don’t see Nancy here.” Because they both know he doesn’t really need his other question answered anymore.

“I don’t think she really likes sports.”

Mom sucks her teeth, a judgmental tchk that has heat climbing the back of his neck when it's not even for him. "Well that's a shame, he's a good player." There's finally enough space on the floor that they could leave. He wants, desperately, for them to just go cause something about this conversation is making him feel guilty again. "Do you want to to say hi?"

There's nothing he wants less than that. Lucas thinks if he has to go up to this guy, who went toe to toe with a monster, while his mom trails behind he'll die. Lucas thinks if he says hi to a guy who has only seen him maybe twice in the context of Mike Wheeler's house, and has to sit there while Steve blankly accepts his congrats he'll melt into the floor.

"Can we just go home? I still have homework."

And some tags to @fuctacles, @cauldronoflove, @thefreakandthehair, @stevespookington, @stevieharringtonwifeguy

@eriquin, @grasslandgirl, @augustjustice, and anyone else who wants to play!

#wiggly worm wednesday #stranger things #lucas sinclair #sue sinclair #Steve Harrington #technically I have included Sonny V.accaro in this #and now that we're in tag territory i'm gonna spill the details of my special hcs #1 and the foundation of this fic: steve is so good at basketball he was part of vaccaro's hs basketball swag program #which if you haven't watched air which i did really enjoy #he would give free nike shoes to hs basketball players that he thought would make it big hoping to build brand loyalty and establish nike-#-as an actual competitor to adidas and converse which they weren't at the time #i tend to base the actual hs stuff in my st fics on my parents experience given that they were in small towns in the general area at the-#-time that canon takes place so for reference my dad played hs ball and the whole team wore converse as their uniform #i do sincerely believe that steve was good enough at basketball pre-concussions pre-upside down that he could have been v successful #hc 2: sue sinclair played womens basketball in college #we're playing fast and loose with the timeline visavis sue btw #but if we streeeeetch it to its full potential she played in the national tournament pre wncaa i did research for the record #hc 3 which is implied here: bi!lucas with a crush on steve always always #also sorry for the strays nancy i love you #maybe one day you all will get to see the rest of this fic

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